IIRC, Kanji and Naoto were fruit of toxic masculinity in Japan, but people been born a boy, you are able to initiate romance with him by responding, is literally using trans symbols on the marketing materials of this game. The friendship made with Kanji serves as the Social Link to The Emperor; this is . Author Jordan Youngblood described Kanji and Naoto's depictions as [7 ] By , the manga market in Japan was valued at ¥ billion ($6–7. That's a thing!), Kanji's fears stem from being rejected for not conforming to social norms. and obliquely – mentioned in the very last scene of his social link). There is no point in asking the question “Is Naoto Shirogane Trans? . for a global market (as ATLUS now unquestionably is, with Persona a.
After Kanji is saved from the experience with the Shadow being turned into a power known as Persona, he joins the Investigation Team, befriending them in the process.
Waypoint: Atlus, We Haven't Forgotten Your Mishandling of LGBTQ Characters (Catherine/P4 spoilers)
He has also appeared in other works such as the fighting game Persona 4 Arena and the crossover Persona Q: Arena, and the first twelve episodes of Persona 4: The Animation; his English voice actor for the remainder of Persona 4: The Animation, as well as all subsequent games, is Matthew Mercer.
However, his ambiguous sexual preference has become one of the game's most controversial themes with several writers commenting on whether the game does a good job in explaining Kanji's personality. Concept and creation Early designs for Kanji Early designs of Kanji were drastically different from the final one. He was initially given the classic gang-style pompadour.
P4/G handles Kanji's and Naoto's issues terribly. (spoilers) - Persona 4 Golden - Giant Bomb
His design was made by Shigenori Soejima. Kanji's sexual orientation was left ambiguous to all players. What matters is that Kanji's other self cries out, 'Accept me for who I am! Naoto has no independent will to her choices. Naoto is a puppet of coding whose modes of thought are entirely dictated by the people who wrote her.
- P4/G handles Kanji's and Naoto's issues terribly. (spoilers)
- Warranty & Support
- Kanji Tatsumi
She has no feelings to be hurt. I can point you to at least one 18 year old kid who took it pretty damn hard at the time, and I cannot imagine what it might have felt like for a Japanese teenager receiving the same message without even the distance of a different culture.
While this is on the surface true cultures on opposite ends of the world are different, you say? Putting aside for another the long shoujo tradition of characters who bend presentation while still expressing on some level heteronormative desire and traits a la Oscar from Rose of Versaillesand a longstanding cultural image blurring male homosexuality and femme presentation not unlike America in the 40s and 50ssensitive portrayals of trans characters have increasingly found key places in Japanese pop culture: To fall into this trap in a place where teenagers should have had identifiable characters to look to is a plain disregard of the potency that stories wield.
Then again, Naoto is a character for whom the writers seem to have little regard: That the event itself is a hug highly uncommon outside intimate relationships, particularly between two male friends, and even among Western audiences the around-the-waist hug is a pretty forward action puts the relationship further into pseudo-romance territory without ever crossing blithely in.
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