More Gun (Soundtrack) - Official TF2 Wiki | Official Team Fortress Wiki
Meet GUITAR RAO, an Engineer Who Quit a Cushy Job to Give Music he is “ Guitar Rao”, the man who teaches them to play the guitar, flute or keyboard. Team Fortress 2 - Meet The Engineer Theme Guitar Pro Tab by Misc Computer Games learn how to play chords diagrams Meet The Engineer. "More Gun" is the tune the Engineer plays on his guitar in Meet the Engineer. The original version was released in the Engineer Update, and.
His family was of German ancestry. After trying to learn the piano, he switched to the guitar.
It was during this time that he invented a neck-worn harmonica holder, which allowed him to play both sides of the harmonica hands-free while accompanying himself on the guitar. It is still manufactured using his basic design. While playing at the Waukesha area drive-ins and roadhousesPaul began his first experiment with sound. Wanting to make himself heard by more people at the local venues, he wired a phonograph needle to his guitar and connected it to a radio speaker, using that to amplify his acoustic guitar.
He met pianist Art Tatumwhose playing influenced him to stick with the guitar rather than original plans of taking on the piano. He also served as an accompanist for a few other bands signed to Decca.
During this time he began adding different sounds and adopted his stage name of Les Paul. When Reinhardt died inPaul paid for part of the funeral's cost. Chet Atkins later wrote that his brother, home on a family visit, presented him with an expensive Gibson archtop guitar that Les Paul had given to Jim. Chet recalled that it was the first professional-quality instrument he ever owned. Famously, he created several versions of "The Log", which was a length of common 4x4 lumber with a bridge, neck, strings, and pickup attached.
For the sake of appearance, he attached the body of an Epiphone hollow-body guitar sawn lengthwise with The Log in the middle. This solved his two main problems: These instruments were constantly being improved and modified over the years, and Paul continued to use them in his recordings long after the development of his eponymous Gibson model. InRichard D. Bourgerie made an electric guitar pickup and amplifier for professional guitar player George Barnes.
Barnes showed the result to Les Paul, who arranged for Bourgerie to have one made for him.
While experimenting in his apartment in Paul nearly succumbed to electrocution. During two years of recuperation, he moved to Hollywood, supporting himself by producing radio music and forming a new trio. During this time, he was remembered by factory workers as a frequent visitor to the Electro String Instrument Corp. He was drafted into the U. Army in where he served in the Armed Forces Radio Networkbacking such artists as Bing Crosbythe Andrews Sistersand performing in his own right.
January Photograph by William P. His solo on " Body and Soul " is a demonstration both of his admiration for and emulation of the playing of Django Reinhardt, as well as his development of original lines.
Also that year, Paul's trio appeared on Bing Crosby's radio show. Crosby sponsored Paul's recordings. Paul recorded a few albums for Decca Records in the s. He was enamoured by the Andrews Sisterswho hired his trio to open for them during a tour in Their manager, Lou Levy, said watching Paul's fingers while he played guitar was like watching a train go by.
We'd sing these fancy licks and he'd keep up with us note for note in exactly the same rhythm But he never once took the attention away from what we were doing.
He did everything he could to make us sound better. Mary Ford was driving the Buick convertible, which plunged off the side of a railroad overpass and dropped twenty feet into a ravine; they were returning from Wisconsin to Los Angeles after visiting family. Their other option was amputation.Tutorial: More Gun (Team Fortress 2 Engineer's Theme) - Guitar Lesson w/ TAB
Paul was flown to Los Angeles, where his arm was set at an angle—just under 90 degrees—that allowed him to cradle and pick the guitar. It took him nearly a year and a half to recover. The Log was built after-hours by Paul at the Epiphone guitar factory, and is one of the first solid-body electric guitars.
In Paul A. Bigsby built a custom solid-body electric guitar for Merle Travisand c. Although Paul had approached the Gibson Guitar Corporation with his idea of a solid-body electric guitar in it showed no interest until Fender began marketing its Esquire and Broadcaster guitars in The Broadcaster was renamed the Telecaster in The guitar went on sale in Problems with the strength of the body and neck made Paul dissatisfied with the new Gibson guitar.
This, and a pending divorce from Mary Fordled to Paul ending his endorsement and use of his name on Gibson guitars untilby which time his divorce was completed. In the mids, he introduced an aluminum guitar with the tuning mechanisms below the bridge. As it had no headstock, only string attachments at the nut, it was the first "headless" guitar. Unfortunately, Paul's guitar was so sensitive to the heat from stage lights that it would not keep tune.
This style was further developed by others, most successfully Ned Steinberger. In an acid rock band, a guitar tech might have to manipulate the controls on a ring modulator or a rotating Leslie speaker cabinet to create unusual sounds while the guitarist is performing.
Acoustic guitars being tuned up backstage before a concert; note the tiny electronic tuner clipped to the headstock of the guitar on the left.
Once the guitars have been tuned with an electronic tuner and strummed to ensure that they are in tune, the guitar tech usually sets up the different guitars on guitar racks, ensures that the leather or nylon straps are properly connected, and that the patch cords are plugged in properly. During the show, the guitar tech hands instruments to the guitarist or guitarists according to the types of guitar that are required in the songs that they are playing.
For example, a hard rock guitarist may use a "flying-V" guitar for a fast song, and then switch to an acoustic string guitar for a soft ballad. The guitar tech retunes all of the instruments before they are used, because even if an instrument was perfectly in tune during the soundcheck, the heat from stage lights and the humidity from the stage conditions may render the instrument slightly out of tune. After each guitar is used, the guitar tech cleans the strings with a cloth and replaces the instrument on a rack.
During the show, the tech stands ready to replace any guitars in case a string breaks or if there is an equipment malfunction. The guitar tech may hand fresh towels to the guitarist so that the guitarist can remove sweat from the hands and ensure that the guitarist has ready access to bottles of cool water or other wet beverages.
If a guitar technician is working for a guitarist who uses picksthe guitar tech may lay out a variety of picks on a guitar amplifier or tape the picks to the mic stands with double-sided tape, so that they are within easy reach. At the end of the show, the guitar tech disconnects all of the patch cords, cleans the instruments and puts them back into their cases.
Maintenance and repair[ edit ] The guitar tech also might perform any of a variety of maintenance tasks, such as checking that the string height of the guitars is set properly, modifying "dressing" the height and arc of the frets, adjusting the intonation of the instrumentschecking that tubes valves on tube amplifiers are working properly, and that cables are in good condition and free from crackles and hum caused by nicks and abrasions in the shielding or cable insulation.
Techs also check the batteries on "outboard" devices — effects boxes, tuners, and pre-amps — and wireless transmitters, and change them as necessary. Depending on the size of a band's road crew, the guitar tech may either do this maintenance him- or herself, or, in a large touring act, delegate tasks to more-junior personnel.
The guitar tech does a basic soundcheck with the different guitars, amplifiers, and effects, to ensure that the equipment is functioning properly and that all of the connections between the equipment which are made with patch cords are plugged in correctly. On the other hand, a tech may have to set up ten or more electric guitars, a variety of amplifiers, and connect them to an intricate sequence of effects pedals.
When all of the instruments and equipment are set up and soundcheckedif there are problems — crackles, hum, no signal from the guitar, no sound from an amplifier — the tech may have responsibility for troubleshooting to determine the cause or causes. Common problems include damaged patch cords, ground loops in connection between instruments and amplifiers, weak batteries in effects boxes or on-board preamps, bad vacuum tubes in tube amplifiers or overdrive effects, broken electrical connectors or solder joints, speaker voice coils damaged from the previous concert, or equipment damaged during transport.
Tuning problems may come from old or dirty strings, damaged or worn machine heads or frets, or mis-adjusted bridges. A guitar tech is often a "jack of all trades," expected to make simple repairs: In cases where there is either not enough time to make the repair, or if the equipment is damaged beyond repair, the guitar tech is may be responsible for finding a replacement instrument or part, either by purchasing or renting it from a local music store or by borrowing it from another band.
While another member of the road crew may be dispatched to pick up an item, the tech usually writes down which models or brands are acceptable replacements. On rare occasions, guitar technicians may be asked to fill in for the guitarist they are teching for. Conditions of work[ edit ] The conditions of work for guitar techs vary widely.
Some guitar techs for small touring acts may set up guitars for all of the stringed-instrument performers—rhythm guitar, lead guitar, bass, and so on; they may even take on a large variety of tasks beyond guitar tech work, such as helping to set up sound equipment or soundcheck the microphones. On the other hand, guitar techs for major touring bands may be part of a large road crew team that includes amplifier technicians, guitar technicians for each guitarist rhythm guitarist and lead guitaristand a variety of people who set up the stage equipment.
In a major touring band, a guitar tech's duties might be more narrowly circumscribed. They might only have to set up the guitars for a single performer, and there might be other staff who set up and maintain the amplifiers, effects, and guitar stands, and electronics technicians who solder and repair connections and wiring.
The salary, benefits, and accommodations of guitar techs vary widely. The first jobs that a guitar tech does may be on a volunteer basis in a garage band or amateur group, to gain experience, or alternatively the guitar tech might work in return for a small cash payment that is more of a symbolic honorarium than a real salary.
In regional-level bar bands or minor touring acts, the guitar techs may be paid on a contractual basis during the weeks or months that the group is on tour, and there may not be health or dental benefits. A guitar tech working for this type of band must find other work to fill in months when the band is not on tour. On the other hand, a major touring act may hire a guitar technician as a permanent employee and provide them with a range of benefits.
Accommodations depend on conditions set out in the contract, and the level and status of the group. A guitar tech traveling with a regional-level band may stay in inexpensive motels and receive a modest per diem for restaurant meals.
A guitar tech traveling with a major touring band, however, may stay at the same first-class hotels as the star performers and eat catered buffet or restaurant meals.
Some bands with substantial road crews may have their own catering crew. Guitar techs for the most famous international guitarists such as Jimmy Page or Tony Iommi can become minor celebrities within the guitar fan community because of their proximity to famous musicians and insider knowledge of how a certain guitarist's unique tone is created. Training and career path[ edit ] Guitar technicians must have a broad knowledge of the musical equipment used in the types of bands they work with.
Guitar technician - Wikipedia
At a minimum, this must consist of familiarity with setting up and tuning guitars and making simple adjustments and repairs. As well, guitar techs are often expected to set up, repair, and adjust electronic effects, tuners, pre-amplifiers, amplifiers, and pedalboards.
To do these tasks, guitar techs must know about a range of audio engineering and electronics concepts—such as impedancesignal phase for speakers and microphone wiringand input voltage for pre-amps and effects.
To do simple repairs on electronic gear, a guitar tech may have to know how to use a soldering iron and a multitesterand how to do basic electronics troubleshooting.
As well, since guitar techs need to soundcheck the instruments and amplifiers, they must have a knowledge of the way guitars and amplifiers are supposed to sound in the style of music of the band.